Every landscape is a great example of an abstract
field that is organized according to the laws of fractal geometry.
They represent all the geometric themes associated with
my work in a natural "there all the time" manner - which
is one big reason why I love landscapes. I
also think that it is difficult to capture the expansiveness
of landscapes with standard frame images - the vistas we see with our eyes usually take in at least 140° of view. I have also always loved the widescreen presentation in
cinema, so it was natural for me to see landscapes in panorama
perspective, and to use aspect ratios based on Golden Rectangles.
These images of Colorado, Utah, and Wyoming, and the California, Florida, and English coasts were taken using medium format and 35-mm film
cameras using Fuji Provia 100F slide film, or a Nikon D-70 digital camera. I used a Pentax
67 6x7 medium format camera with a 45-mm wide-angle lens for most of the square root of 5 panoramas, or a 105-mm "normal" lens for mosaic panoramas. All photographs
were shot with aperture priority at f22 or maximum f-stop. Panoramas are presented
in three aspect ratios and other landscapes at the bottom are cropped
to Golden Rectangles. All mosaic panoramas were created manually in Photoshop. Prints of
all images are available for sale at various sizes. Enlargements
greater than 21 cm (8.26") height, however, will lose some image
sharpness.
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